Shonna tucker and john neff dating
As a musician, a writer, an artist, a producer and above all as a role model on how to be all those things and still be a fantastic father, Jim was a true treasure to everyone who knew him. she said I aint got all night What'd your mama name you? Office) Patterson Hood - Lead Vocal, Electric Guitar / Mike Cooley - Lead Guitar / John Neff - Lead Guitar and Backing Vocal / Shonna Tucker - Bass and Backing Vocal / Brad Morgan - Drums / Jay Gonzalez - B3 and Wurlitzer; Harmony Vocal Kim said Jimmy you better get yourself up off of that raggedy couch I'm too pretty to work and I'm tired of you uglying up my house Jimmy said Baby the guys at the top are doing bad as the guys on the street Kim said the guys at the top ain't about to be paying alimony to me Get downtown see what you can find put your face in someone's that ain't mine looks like the unemployment blues are wearing out your house shoes Baby left when your boots came untied Jimmy said baby ain't you seen the news its as far as the eyes can see Foreigners are coming in and doing our jobs for half of what they would've paid me You mean half of what you would've made for something you've never done Sounds like the bright side to all this Jimmy is you're asking price went up Now get downtown Jimmy said baby if I work for you're daddy its worse than being his son Kim didn't like what he said one bit and it didn't surprise him none She said my daddy took good enough care of my mama she hardly had to say a thing Jimmy said that's part of what's wrong Kim said don't you say another damn thing Just get downtown Lyrics: Mike Cooley / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) Mike Cooley - Lead Guitar and Lead Vocals / John Neff - Lead Guitar / Patterson Hood - Lead Guitar / Shonna Tucker - Bass / Brad Morgan - Drums / Jay Gonzalez - Piano and Wurlitzer The graffiti on the back stage wall gets painted over in muted shade The club becomes an Old Navy After the scene dies When the last six-string slinger has to bow down for health insurance and accept the mundane After the scene dies When the last one leaves and the last note fades and the last dream's been put away Shut the light off / Shut the light off When the front man turns to Jesus and the drummer moves away I'll still be doing what pleases me After the scene dies When the bartender passes and the owner cashes out And they box up the glasses and take the sound system down Guitars back in their cases Don't forget my fries After the scene dies Lyrics: Patterson Hood / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) (September 2, 2006 - Corpus Christie TX.
His influence on me has been profound and I am proud to be friends with his amazing family. You can call me what you like Lyrics: Mike Cooley / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) Mike Cooley - Acoustic and Electric Guitar and Lead Vocal / Patterson Hood - Guitar and Backing Vocal / John Neff - Guitar and Lap Steel / Shonna Tucker - Bass / Brad Morgan - Drums / Jay Gonzalez -Piano / David Barbe - Piano (also) and percussion Drag the lake Charlie Charlie, drag the lake Lester didn't come home last night and Wanda's all irate Better keep your fingers crossed and hope we find him drowned Wanda's gonna come and kill us all if he shows up in town Drag the lake Charlie I heard that he was seen Cavorting with old Shorty up at the line again Wanda's got that goddamned pistol in her purse If she goes back on rampage they'll have to call the hearse Better drag the lake Charlie Charlie, drag the lake Remember what happened last time Lester went on the make I heard it took the cleaning crew two weeks to clean the bar They never found that teenaged girl They never found the car Drag the lake Charlie / Drag the lake Charlie It won't be the first time but it might be the last Drag the lake Charlie And keep your fingers crossed And if your friends with Jesus Please ask him to help us Our best-case scenario is Lester turns up dead I'm almost out of Valium, courage and self-respect Drag the lake Charlie / Drag the lake Charlie It won't be the first time but it might be the last Lyrics: Patterson Hood / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) (December 3, 2008 - Athens GA. Bus) Patterson Hood - Lead Vocal, Lead Guitar / Mike Cooley - Lead Guitar / John Neff - Lead Guitar / Shonna Tucker - Bass and Backing Vocal / Brad Morgan - Drums / Jay Gonzalez - B3 and Backing Vocal I don't even like the way it sounds but one day it's gonna be "I told you so" I'm expectin' that you're gonna be down. You never listened to a word I said, One day it's gonna be "I told you so" I told you something' and you kicked me in the head One day it's gonna be "I told you so" One day it's gonna be "I told you so"...
I chained several of his comments together and wrote "Girls Who Smoke" on the spot.
I played it for Cooley that afternoon and he actually liked it.
While on that tour we got exhausted, homesick, and froze our ass off.
Jim Dickinson has been a hero of mine for over twenty years. Shonna thanks Ampeg for the fine bass amplification. Cooley thanks Jimmy and Danny at Sommatone for his amazing guitar amp. Nervous hands cant lie Married men don't ask how much, single ones ain't buying One day you got everything, next day it's all broke Let miss Trixie sit up front Let her wipe your nose Working for the money like you got eight hands Flat on your back under a mean old man just thinking happy thoughts and breathing deep Between your mama's drive and daddy's belt It don't take smarts to learn to tune out what hurts more than helps The pretty girls from the smallest towns get remembered like storms and droughts that old men talk about for years to come I guess that's why they give us names So a few old men can say they saw us rain when we were young Which ones the birthday boy? Lyrics: Patterson Hood / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) (June 7, 2008 - Athens GA.
I wrote "Daddy Learned To Fly" on the plane out there. A week later AIG went bankrupt and our national economy collapsed. People are losing jobs and it scares the shit out of me. Riding all through the highways of America (and Europe) trying to make sense of a very different world than the one we grew up in.
It was inspired by an unspeakable loss that I still can't quite comprehend or get over. Sometimes I feel disconnected but that's not always such a bad thing. Starring: Shonna Tucker, Jay Gonzalez, Patterson Hood, Brad Morgan, John Neff and Mike Cooley Backup Vocal Stylings by The Bottom Feeders (USA) Special Guest: David Barbe Produced, Engineered and Mixed by David Barbe; Chase Park Transduction Studios, Athens, GA.
He wrote his own epitaph: "I'm just dead; I'm not gone." His life accomplishments will live on for generations to come. Office) Patterson Hood - Lead Vocal, Electric Guitar / Mike Cooley - Lead Guitar / John Neff - Lead Guitar / Shonna Tucker - Bass / Brad Morgan - Drums / Jay Gonzalez - B3 / Harmony Vocals by Shonna Tucker and Jay Gonzalez It was as open and shut as anything I have seen He was a pillar of town his reputation was clean It was right before Easter in the first week of spring He didn't show up for service that Wednesday night The congregation knew something weren't right Blood on the bed when they opened the door The preacher was dead on the bedroom floor Everyone knew there had to be some outside thing that made this happen Because they seemed like the perfect family He'd been shot in the back, a day before he was found His wife and three kids were nowhere around An Amber Alert was issued in town Everyone was shocked at the scene of the crime She'd taken the kids across two state lines Found her in Orange Beach with the kids in the car Sent back to Selmer to await her trial for first-degree murder Was she crazy or just plain old mean to have gone and done it? I'd like to catch you when you're fallin' But you're too busy for me Darlin' I tried to tell you you'd be fallin' Now go on home and do your bawlin' You picked up 'Crazy' and you let it in your head Now one day it's gonna be "I told you so" I'm all full up from the shit I was fed One day it's gonna be "I told you so" One day it's gonna be "I told you so" One day it's gonna be "I told...
I grew up worshipping Rock and Roll like a religion. She said she heard the bang and was afraid he'd be mad and made a run for it Said, they were having a fight and the gun was a bluff She didn't pull the trigger it just went off Said that he berated her about everything Make her do things that made her feel so ashamed Nobody at church would ever suspect Made her dress up slutty before they had sex In the courtroom that day there was an audible gasp What they put up on display the locals couldn't quite grasp There was an audible gasp in the courtroom that day When the defense pulled out and displayed Them high-heeled shoes and that wig he made her wear Reduced her charge to voluntary manslaughter And I ain't judging either way but she's already out of jail And it was them high-heeled shoes and that wig he made her wear Lyrics: Patterson Hood / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) (October 15, 2008 - Athens GA. Lyrics: Shonna Tucker / Music: Cooley, Hood, Morgan, Neff, Tucker and Gonzalez © Razor and Tie Music (BMI) Shonna Tucker - Electric and Acoustic Guitar, Lead Vocal / David Barbe - Bass / Mike Cooley - Acoustic and Lead Guitar and Bass Vocal / John Neff - Acoustic and Lead Guitar and Backing Vocal / Patterson Hood - Acoustic and Electric Guitar, Backing Vocal / Brad Morgan - Drums / Jay Gonzalez - Dart and Backing Vocals You said that you'd be waiting for me here in Santa Fe with hotel rooms and TV's booming loud every night and day And all I have to do is just be careful what I say and do and what I put us through Colorado, lines were down Des Moine's an underwater town Don't know what it is I thought I'd find out here It's moving forward as it must 95 and blowing dust Sitting here and missing us It couldn't be more clear You said that you'd be waiting for me here in Santa Fe with dreams and postponements made along the way Conditioned by the outstretched miles and high desert air Thinking I might find you there Holding you in my dreams Ricocheting back and forth between my two extremes of light and dark and all the in betweens All of us know too well exactly what that means Will you be here waiting for me here in Santa Fe?
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No concept or intentional story line here, yet as we sit down to sequence, it somehow seems to imply otherwise.